Pretentious Yet Pointless
In this painting Sol Aris depicts the relationship between the senses of sight and smell.
Paradoxically, we see the leading centralism for strength curve back and forth, suggesting unreliability. The beribboned figure indicates the sensuality of extinction. The layers of approaching curves are enjoined in a tribute to misery. A notable feature of the drawing is that it is the pattern of unconscious thought. An interesting aspect of the picture is that it is the sensuality of extinction. In surrealism, the visual phenomena of the physical world are, in themselves, empty: the only worthy thing is feeling, as such. In post-impressionistic art, the visual phenomena of the physical world are, in themselves, meaningless: the only worthy thing is feeling, as such. A deep underlying meaning of this particular piece is that it is the sensuality of intoxification. In neo-impressionism, the visual phenomena of the external world are, in themselves, meaningless: the important thing is feeling, as such. The never-ending curves are enjoined in a tribute to neo-impressionism. This image is integral to one of the central preoccupations of Sol Aris's art, the perception of the here and now experience of form and space where the extraordinarily refined aesthetic sensibility to the piece is in some sense active rather than simply one of passive appreciation.
A notable feature of this carving is the strongly contorted quickly soaring articulations contrasting strongly with the dominant angularity and horizontality so clearly visible. Sol Aris has not described the colour pallette of this picture.
Unexpectedly, we see the leading centralism representing power and authority curve back and forth, suggesting unreliability.