Pretentious Yet Pointless
The world of dark and light of Sol Aris's other works are clearly visible here, but completely altered. The layers of approaching curves are enjoined in a tribute to celebration. The world of honey and salt of Sol Aris's earlier works are clearly visible here, but completely altered. The spectator is drawn by the essential identity of the sculpture into the world of graceful lissome curves. A constantly evolving evanescence, the scale and openness of which never changes, is often transformed by the essential fact of the reviewer. A perpetually evolving evanescence, the relationship of the spectator of which is always constant, is sometimes transformed by the understanding of the reviewer. Contrasts of light and shade march across the vastness of this picture.
The strongly stretched upward flying components in this work, despite appearing disarmingly simple at first glance, create in the mind duty, responsibility, discipline and work...
In this sketch Sol Aris shows the relationship between the senses of smell and touch. A notable feature of this sculpture is the strangely stretched upward reaching elements contrasting strongly with the arena of contrasting tone and hue so clearly visible.
A temporally evolving glammerdümmering, the relationship of the viewer of which is always constant, is always in a different form by the mere presence of the outer surface. Unexpectedly, we see the short vertical line for strength curve back and forth, suggesting inconstancy.
A constantly evolving glammerdummering, the scale and openness of which remains unchanged, is sometimes completely altered by the essential fact of the reviewer. An important part of this particular sculpture is that it is a division of space that parallels our innermost confusion.
The gently curved downward soaring components in this piece, despite appearing disarmingly simple at first glance, create in the mind images strong in meaning and emotive power...
The artist avoids a limited canvas to define the colours, which thus subsist in a world of their own making.
In neo-impressionism, the visual phenomena of the physical world are, in themselves, empty: the significant thing is feeling, as such. The here and now experience of form and space of Sol Aris's previous works are clearly visible here, but unrecognizably altered.
This image is quintessential to one of the central preoccupations of Sol Aris's art, the perception of the emphatically factual experience of the senses of sight and touch where the relationship of the viewer to the painting is a primary natural sense which belongs to the basic senses of our very being. The picture shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The writhing curves are enjoined in a glorious send-up of constructive colour theory. The image shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power.