Pretentious Yet Pointless
The artist does not use traditional proportions to shape the colours, which therefore subsist in a world of their own making. An important part of this particular piece is that it is the eternal interaction of Yin and Yang. The writhing curves are forever engraved in a tribute to post-impressionistic art. Contrasts of night and day march across the emptiness of this piece. It is important to understand that the major feature of stereometric construction is that it enables the artist to define form in terms of space, rather than representational versimilitude. The work shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. In Shaker æsthetics, the visual phenomena of the unexplored world are, in themselves, unimportant: the important thing is feeling, as such. A particularly contentious aspect of this work is the arena of contrasting tone and hue contrasting strongly with the dominant angularity and horizontality so clearly visible. The sketch shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power.
A deep underlying meaning of this image is the emphatically factual experience of form and space contrasting strongly with the shapes to indicate an image of the process of creation. The image shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The artist avoids a rectangular grid to restrict the colours, which can by this means stand alone.