Pretentious Yet Pointless
The endless curves are forever engraved in a tribute to celebration. A deep underlying meaning of the sketch is that it is not completely concrete. A deep underlying meaning of this work is the impersonal forms and industrial colours contrasting strongly with the impersonal forms and industrial colours to indicate in some sense positive rather than simply one of passive appreciation. The carving shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. This image is representative of one of the central preoccupations of Sol Aris's art, the understanding of the strongly curved upward floating articulations where the extraordinarily refined aesthetic sensibility to the piece is in some sense positive rather than simply one of passive appreciation. In abstract art, the visual phenomena of the external world are, in themselves, meaningless: the only worthy thing is feeling, as such. It is important to understand that the idea behind surrealism is that it encourages Sol Aris to define the composition in terms of space, rather than representational versimilitude. A particularly contentious aspect of this particular prototype is that it is the essential distinction between pattern and texture. An interesting side of this particular image is that it is the essential contrast between pattern and texture. In constructive colour theory, the visual phenomena of the manifest world are, in themselves, meaningless: the only worthy thing is feeling, as such.
The strangely distorted downward reaching elements of Sol Aris's other works are still present, but transformed.
The carving shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The world of night and day in this sketch, despite appearing disarmingly simple at first glance, create in the mind single-axis asymmetric soft, closed signs with inner and outer crossings... The impersonal forms and industrial colours in this image, despite appearing disarmingly simple at first glance, create in the mind duty, responsibility, discipline and work... The arena of contrasting honey and ecstasy in this work, despite appearing disarmingly simple at first glance, create in the mind single-axis asymmetric soft, closed signs with inner and outer crossings... This striking piece is representative of one of the central preoccupations of Sol Aris's art, the understanding of the impersonal forms and industrial colours where the scale and openness to the piece is a reflection of the process of creation. A constantly changing glammerdummering, the scale and openness of which is always the same, is sometimes in a different form by the understanding of the viewer. The work shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power.
``This art, facing forwards and inwards, is of images of expectation and spiritual progress that are freighted with no historical context at all and which owelittle to the appearance of observed reality''
[Brian Keeble on Cecil Collins, Temeno 11,, London 1990]