Pretentious Yet Pointless

	Pretentious Yet Pointless

Artist:	Aris, Sol
Medium:	Acrylics on virtual canvas
Title:	Randomly generated image 2056245723
Date:	Sat Aug 15 23:53:08 UTC 2026
Description:	It is useful to note that the idea behind post-impressionistic art is that it enables the viewer to understand form in terms of dimensionality, rather than weight. A perpetually changing network, the extraordinarily refined aesthetic sensibility of which never changes, is sometimes transformed by the perception of the viewer. The artist uses a rectangular grid to define the colours, which therefore float free. The prototype shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. A temporally evolving evanescence, the scale and openness of which never changes, is often transformed by the mere presence of the onlooker. The arena of contrasting tone and hue in this painting, despite appearing disarmingly simple at first glance, create in the mind sugar and wine... In this image Sol Aris delineates the relationship between night and day. The writhing curves are enjoined in a homage to Shaker æsthetics. The ornamented ground enriches an image of the process of creation. Such forms, both monumental and poetic, create a strong interaction of forces. This striking piece is an expression of one of the central preoccupations of Sol Aris's art, the perception of the shapes where the scale and openness to the piece is the eternal contrast of Yin and Yang. Such forms, quietly formal, create a strong interaction of forces. The artist uses traditional proportions to restrict the colours, which can by this means float free. A deep underlying meaning of this picture is the world of brightness and dark contrasting strongly with the subtly contorted quickly reaching components to indicate the eternal contrast of Yin and Yang. Contrasts of salt and pepper march across the emptiness of the image. The never-ending curves are forever engraved in a homage to misery. A constantly evolving glammerdummering, the essential identity of which is always constant, is often entirely altered by the perception of the viewer. The impersonal forms and industrial colours in this piece, despite appearing disarmingly simple at first glance, create in the mind deprivations, inhibitions and hardship... In this prototype Sol Aris delineates the relationship between night and day. ``What does it all mean? I have little idea... It seems to make use of an abstract idiom which is skirting very near to mere decorative doodling, rather intricately pretty, and yet it is clearly nothing to do with decoration because it's too obsessed.'' [Tate Gallery Guide, 1990, p.232]
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