Pretentious Yet Pointless

	Pretentious Yet Pointless

Artist:	Aris, Sol
Medium:	Acrylics on virtual canvas
Title:	Randomly generated image 2056256273
Date:	Tue Aug 18 04:03:25 UTC 2026
Description:	The writhing curves are forever engraved in a parody of celebration. Such forms, quietly formal, create complex and fascinating interactions with the environment. The artist does not use a limited canvas to shape the colours, which thus float free. The subtly stretched rapidly flying elements of Sol Aris's other works are still present, but completely altered. The major feature of Shaker æsthetics is that it enables the viewer to define the composition in terms of area, rather than representational versimilitude. The dominant angularity and horizontality of Sol Aris's earlier works are still present, but in a different form. It is useful to note that the idea behind constructive colour theory is that it encourages Sol Aris to understand form in terms of dimensionality, rather than odour. Unexpectedly, we see the short vertical line representing strength curve back and forth, suggesting unreliability. A particularly contentious aspect of the image is that it is a natural sense which belongs to the basic senses of our spirituality. A central underlying meaning of this particular image is that it is the eternal dimension and its limitless possibilities. A deep underlying meaning of this work is the shapes contrasting strongly with the world of light and dark to indicate not completely abstract. A particularly contentious aspect of this painting is the dominant angularity and horizontality contrasting strongly with the world of the senses of sight and sound so clearly visible. ``What does it all mean? I have little idea... It seems to make use of an abstract idiom which is skirting very near to mere decorative doodling, rather intricately pretty, and yet it is clearly nothing to do with decoration because it's too obsessed.'' [Tate Gallery Guide, 1990, p.232]
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