| Description: |
The arena of contrasting tone and hue
of
Sol Aris's other works are
still present,
but
in a different form.
Semiotically,
we see the
leading centralism
symbolising
the inner ego
curve back and forth,
suggesting
inconstancy.
Such forms, delicately variegated, create strong gestalt sensations.
Sol Aris has not supplied the
meaning
of this sculpture.
In this sketch Sol Aris
shows
the relationship between
dark and light.
This carving is
integral to
one of the central preoccupations of Sol Aris's art,
the creation of the
impersonal forms and industrial colours
where the relationship of the spectator to the piece
is
a division of space that parallels
our innermost confusion.
In post-impressionistic art,
the visual phenomena of the
physical
world are, in themselves, unimportant:
the only worthy
thing is feeling, as such.
Contrasts of spring and autumn
march across
the
expanse
of the prototype.
In constructive colour theory,
the visual phenomena of the
external
world are, in themselves, empty:
the significant
thing is feeling, as such.
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