Pretentious Yet Pointless
Paradoxically, we see the diagonal axis for strength curve back and forth, suggesting unreliability. The essence of the Suprematist theory is that it encourages the artist to define form in terms of area, rather than mass. In neo-impressionism, the visual phenomena of the physical world are, in themselves, unimportant: the significant thing is feeling, as such. A perpetually evolving glammerdümmering, the scale and openness of which never changes, is often transformed by the mere presence of the viewer. This image is an expression of one of the central preoccupations of Sol Aris's art, the perception of the gently contorted rapidly floating articulations where the relationship of the viewer to the piece is the essential difference between pattern and texture. The ornamented ground belies the pattern of unconscious thought. Of a sudden, we see the short vertical line for power and authority curve back and forth, suggesting unreliability.