Pretentious Yet Pointless

	Pretentious Yet Pointless

Artist:	Aris, Sol
Medium:	Acrylics on virtual canvas
Title:	Randomly generated image 2056289400
Date:	Tue Aug 25 03:15:31 UTC 2026
Description:	The artist avoids traditional proportions to shape the colours, which can by this means subsist in a world of their own choosing. A particularly contentious aspect of this particular sketch is that it is the essential distinction between pattern and texture. In stereometric construction, the visual phenomena of the external world are, in themselves, empty: the important thing is feeling, as such. The artist uses traditional proportions to define the colours, which therefore subsist in a world of their own doing. This striking piece is an expression of one of the central preoccupations of Sol Aris's art, the creation of the strongly contorted upward floating components where the relationship of the viewer to the doodle is the eternal interplay of Yin and Yang. The arena of contrasting colour and space of Sol Aris's earlier works are still present, but in a different form. This striking piece is an expression of one of the central preoccupations of Sol Aris's art, the understanding of the shapes where the relationship of the viewer to the drawing is the eternal interaction of Yin and Yang. Contrasts of the senses of smell and sound march across the foreground of this drawing. A temporally changing network, the relationship of the spectator of which remains unchanged, is always entirely altered by the understanding of the viewer. Such forms, rabid and disconcerting, create complex and fascinating interactions with the self. The endless curves are forever engraved in a parody of misery. The sculpture shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. A particularly contentious aspect of this doodle is the arena of contrasting night and day contrasting strongly with the impersonal forms and industrial colours so clearly visible. The emphatically factual experience of size and perception of Sol Aris's other works are clearly visible here, but transformed. Semiotically, we see the diagonal axis for strength curve back and forth, suggesting unreliability. Of a sudden, we see the diagonal axis representing power and authority undulate towards the centre of the carving, suggesting unreliability. The dominant angularity and horizontality of Sol Aris's previous works are still present, but transformed. The essence of post-impressionistic art is that it enables the viewer to understand the composition in terms of space, rather than mass. Sol Aris has not supplied the colour pallette of this work. It is important to understand that the idea behind neo-impressionism is that it enables Sol Aris to understand the composition in terms of area, rather than odour. Sol Aris has not completed the price of this carving. In the Suprematist theory, the visual phenomena of the unexplored world are, in themselves, unimportant: the significant thing is feeling, as such. ``What does it all mean? I have little idea... It seems to make use of an abstract idiom which is skirting very near to mere decorative doodling, rather intricately pretty, and yet it is clearly nothing to do with decoration because it's too obsessed.'' [Tate Gallery Guide, 1990, p.232]
	next work