Pretentious Yet Pointless
The image shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The figured canvas enriches the eternal interplay of Yin and Yang.
In Shaker æsthetics, the visual phenomena of the unexplored world are, in themselves, meaningless: the only worthy thing is feeling, as such. An important part of this sculpture is the arena of contrasting tone and hue contrasting strongly with the dominant angularity and horizontality of the doodle.
A temporally evolving glammerdummering, the extraordinarily refined aesthetic sensibility of which is always constant, is always entirely altered by the mere presence of the outer surface.
In this doodle Sol Aris demonstrates clearly the relationship between colour and space. The embellished background belies a natural sense which belongs to the basic senses of our inner self. A deep underlying meaning of this doodle is the arena of contrasting tone and hue contrasting strongly with the dominant angularity and horizontality of the drawing. It is useful to note that the essence of stereometric construction is that it encourages Sol Aris to understand the composition in terms of space, rather than odour.
Sol Aris has not described the aspect ratio of this sculpture. This image is integral to one of the central preoccupations of Sol Aris's art, the creation of the dominant angularity and horizontality where the essential identity to the image is a reflection of the artist's soul. This image is integral to one of the central preoccupations of Sol Aris's art, the understanding of the impersonal forms and industrial colours where the relationship of the viewer to the piece is the essential difference between pattern and texture.
Semiotically, we see the diagonal axis for power and authority undulate towards the centre of the prototype, suggesting unreliability.