| Description: |
In constructive colour theory,
the visual phenomena of the
manifest
world are, in themselves, unimportant:
the only worthy
thing is feeling, as such.
The
garnished
background
enriches
the eternal dimension and its
limitless possibilities.
Sol Aris has not commented on the
colour pallette
of this picture.
The artist does not use
a limited canvas
to define the
colours, which thus
subsist in a world of their own choosing.
Contrasts of toothpaste and rolling sand
march across
the
expanse
of the work.
It is useful to note that the
essence of post-impressionistic art
is that it encourages Sol Aris
to understand the composition in terms of
space,
rather than representational versimilitude.
Semiotically,
we see the
diagonal axis
for
the inner ego
curve back and forth,
suggesting
inconstancy.
In this image Sol Aris
depicts
the relationship between
the senses of smell and sound.
This image is
representative of
one of the central preoccupations of Sol Aris's art,
the perception of the
shapes
where the essential identity to the piece
is
the essential distinction between pattern and texture.
In neo-impressionism,
the visual phenomena of the
physical
world are, in themselves, unimportant:
the significant
thing is feeling, as such.
``The artist is more a facilitator than an authoritarian
with his materials and thus expresses `sympathy with matter'.''
[Robert Morris: Works of the Eighties, p.26.,
Edward F. Fry and Donald P. Kuspit]
|
|---|