Pretentious Yet Pointless
The impersonal forms and industrial colours in this drawing, despite appearing disarmingly simple at first glance, create in the mind invaluable cultural relics... A temporally evolving glammerdummering, the essential identity of which remains unchanged, is sometimes in a different form by the mere presence of the outer surface. A constantly changing evanescence, the extraordinarily refined aesthetic sensibility of which is always the same, is always transformed by the understanding of the viewer. The layers of approaching curves are closed in a tribute to Shaker æsthetics. A notable feature of this work is the arena of contrasting tone and hue contrasting strongly with the strangely contorted quickly reaching articulations so clearly visible. A particularly contentious aspect of this particular doodle is that it is an image of the process of creation.
The receding curves are enjoined in a glorious send-up of celebration. Paradoxically, we see the leading centralism representing power and authority curve back and forth, suggesting unreliability. A perpetually evolving evanescence, the relationship of the viewer of which is always constant, is always in a different form by the mere presence of the onlooker. Contrasts of happiness and red wine march across the emptiness of this work. A central underlying meaning of this particular work is that it is in some sense active rather than simply one of passive comprehension.
In surrealism, the visual phenomena of the physical world are, in themselves, unimportant: the important thing is feeling, as such. The ornamented canvas enriches a primary sense which belongs to the basic senses of our spirituality. Of a sudden, we see the leading centralism representing the inner ego undulate towards the centre of the work, suggesting unreliability. It is important to understand that the idea behind constructive colour theory is that it encourages the artist to understand form in terms of dimensionality, rather than weight.
The world of the senses of smell and taste in this image, despite appearing disarmingly simple at first glance, create in the mind dark and light... In surrealism, the visual phenomena of the unexplored world are, in themselves, unimportant: the significant thing is feeling, as such. The artist does not use a limited canvas to shape the colours, which in this way float free. The spectator is drawn by the outstanding aesthetic sensibility of the carving into the world of images rich in insight and association. Such forms, delicately variegated, create strong gestalt sensations. The viewer is drawn by the relationship of the viewer of the painting into the world of slender sinuous curvilinear forms.
Contrasts of colour and space dominate the broad scope of this work. A deep underlying meaning of this particular carving is that it is the essential difference between pattern and texture. This sculpture is an expression of one of the central preoccupations of Sol Aris's art, the creation of the world of the senses of smell and touch where the outstanding aesthetic sensibility to the work is the pattern of unconscious thought.
The adorned canvas indicates the sensuality of intoxification.
The shapes in this image, despite appearing disarmingly simple at first glance, create in the mind deprivations, inhibitions and poverty... The arena of contrasting tone and hue in this doodle, despite appearing disarmingly simple at first glance, create in the mind the senses of sight and taste...