Pretentious Yet Pointless
Unexpectedly, we see the diagonal axis for strength undulate towards the centre of the image, suggesting unreliability. The garnished figure belies the pattern of unconscious thought. The beribboned canvas enriches the spiritual dimension and its endless possibilities. Sol Aris has not supplied the meaning of this carving. A particularly contentious aspect of this particular sculpture is that it is a reflection of the artist's soul. An important part of the image is that it is the eternal contrast of Yin and Yang. The sketch shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. Sol Aris has not supplied the meaning of this image.
A constantly evolving glammerdümmering, the extraordinarily refined aesthetic sensibility of which remains unchanged, is always irrefutably altered by the essential fact of the onlooker. Of a sudden, we see the leading centralism representing the self curve back and forth, suggesting inconstancy.
``This art, facing forwards and inwards, is of images of expectation and spiritual progress that are freighted with no historical context at all and which owe little to the appearance of observed reality.'' [Brian Keeble, on Cecil Collins, Temeno 11, London, 1990, p.114]