Pretentious Yet Pointless
Sol Aris has not supplied the aspect ratio of this image. The receding curves are forever engraved in a homage to misery. The artist uses traditional proportions to shape the colours, which thus stand alone. The viewer is drawn by the essential identity of the drawing into the world of single-axis asymmetric soft, closed signs with inner and outer crossings.
The work shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. This work is an expression of one of the central preoccupations of Sol Aris's art, the creation of the arena of contrasting honey and the dualistic essense of unreality where the relationship of the spectator to the piece is the sensuality of extinction. A notable feature of the image is that it is a division of space that parallels the divisions and interstices of the mind. It is important to understand that the idea behind neo-impressionism is that it enables Sol Aris to define the composition in terms of area, rather than odour. In this prototype Sol Aris demonstrates clearly the relationship between colour and space. An important part of this work is the arena of contrasting tone and hue contrasting strongly with the world of dark and light of the painting. An interesting side of this particular work is that it is a reflection of the process of creation. Paradoxically, we see the diagonal axis for the self curve back and forth, suggesting inconstancy. This striking piece is representative of one of the central preoccupations of Sol Aris's art, the creation of the arena of contrasting light and shade where the essential identity to the piece is the spiritual dimension and its limitless possibilities.
The major feature of constructive colour theory is that it encourages Sol Aris to understand form in terms of dimensionality, rather than mass. The beribboned background indicates the essential contrast between pattern and texture. In this image Sol Aris depicts the relationship between night and day.
The subtly contorted quickly soaring articulations of Sol Aris's earlier works are clearly visible here, but unrecognizably altered.