Pretentious Yet Pointless
A constantly evolving evanescence, the scale and openness of which is always constant, is always unrecognizably altered by the understanding of the reviewer. The artist does not use traditional proportions to restrict the colours, which thus stand alone. The shapes of Sol Aris's other works are still present, but transformed. Sol Aris has not completed the title of this doodle. It is useful to note that the major feature of stereometric construction is that it enables the viewer to define form in terms of space, rather than representational versimilitude.
``The artist is more a facilitator than an authoritarian with his materials and thus expresses `sympathy with matter'.''
[Robert Morris: Works of the Eighties, p.26., Edward F. Fry and Donald P. Kuspit]