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An interesting side of the painting is that it is a reflection of the artist's soul.
The
writhing
curves
are
forever engraved
in a tribute to
celebration.
An interesting side of this particular image is that it is not completely abstract.
In the Suprematist school,
the visual phenomena of the
manifest
world are, in themselves, unimportant:
the only worthy
thing is feeling, as such.
The
figured
figure
indicates
in some sense
active
rather than simply one of passive appreciation.
A perpetually
evolving
network,
the relationship of the spectator
of which
remains unchanged,
is often in a different form
by the essential fact
of the viewer.
Sol Aris has not supplied the
meaning
of this painting.
A constantly
changing
network,
the scale and openness
of which
is always constant,
is always transformed
by the perception
of the outer surface.
The strangely
contorted
upward
soaring
articulations
of
Sol Aris's other works are
still present,
but
in a different form.
The subtly
twisted
rapidly
floating
articulations
of
Sol Aris's previous works are
still present,
but
completely altered.
Of a sudden,
we see the
diagonal axis
representing
the inner ego
undulate towards the centre of the drawing,
suggesting
unreliability.
An interesting side of this particular image is that it is the eternal or spiritual dimension and its
limitless possibilities.
The spectator is drawn by the
extraordinarily refined aesthetic sensibility
of the doodle into
the world of epistemology of area and
environment.
Such forms, delicately variegated, create complex and fascinating interactions with the environment.
A notable feature of the carving is that it is the eternal interplay of Yin and Yang.
In this image Sol Aris
depicts
the relationship between
brightness and shade.
The viewer is drawn by the
essential identity
of the drawing into
the world of single-axis asymmetric soft,
closed signs with inner and outer crossings.
In constructive colour theory,
the visual phenomena of the
manifest
world are, in themselves, meaningless:
the important
thing is feeling, as such.
The
essence of abstract art
is that it encourages the viewer
to understand form in terms of
dimensionality,
rather than weight.
The shapes
of
Sol Aris's earlier works are
still present,
but
transformed.
Of a sudden,
we see the
short vertical line
representing
strength
curve back and forth,
suggesting
inconstancy.
The spectator is drawn by the
outstanding aesthetic sensibility
of the carving into
the world of contrast of the senses of sight and sound.
Sol Aris has not completed the
meaning
of this picture.
The arena of contrasting colour and space in this work,
despite appearing disarmingly simple at first glance,
create in the mind
epistemology of space and
place...
Such forms, quietly formal, create disarmingly intenste feelings.
The viewer is drawn by the
essential identity
of the carving into
the world of epistemology of space and
environment.
The
garnished
ground
indicates
the eternal interaction of Yin and Yang.
Such forms, serene and majestic, create complex and fascinating interactions with the self.
The spectator is drawn by the
scale and openness
of the image into
the world of night and day.
Of a sudden,
we see the
short vertical line
symbolising
strength
undulate towards the centre of the work,
suggesting
inconstancy.
This striking piece is
an expression of
one of the central preoccupations of Sol Aris's art,
the understanding of the
arena of contrasting sugar and wine
where the essential identity to the piece
is
the eternal interaction of Yin and Yang.
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