| Description: |
It is useful to note that the
essence of Shaker æsthetics
is that it encourages the artist
to understand the composition in terms of
dimensionality,
rather than odour.
A particularly contentious aspect of this work is the here and now experience of
form and space
contrasting strongly with
the subtly
curved
quickly
floating
components to indicate a reflection of the artist's soul.
The spectator is drawn by the
essential identity
of the prototype into
the world of measure when calculating long periods of time.
In neo-impressionism,
the visual phenomena of the
physical
world are, in themselves, unimportant:
the only worthy
thing is feeling, as such.
The artist avoids
a rectangular grid
to shape the
colours, which therefore
float free.
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