Pretentious Yet Pointless
An important part of this picture is the impersonal forms and industrial colours contrasting strongly with the here and now experience of form and space to indicate not completely concrete.
An important part of this work is the arena of contrasting the senses of smell and sight contrasting strongly with the subtly twisted downward flying components to indicate a reflection of the process of creation. Of a sudden, we see the diagonal axis for the self undulate towards the centre of the image, suggesting unreliability. Contrasts of spring and autumn march across the foreground of the prototype. The strangely curved quickly flying components in this drawing, despite appearing disarmingly simple at first glance, create in the mind epistemology of area and quintessential hereness... The dominant angularity and horizontality of Sol Aris's other works are still present, but transformed. The layers of approaching curves are forever engraved in a homage to celebration. The viewer is drawn by the essential identity of the prototype into the world of similarity of spring and winter. Such forms, quietly formal, create a strong interplay of forces. The embellished canvas indicates a reflection of the artist's soul. The artist employs traditional proportions to restrict the colours, which in this way stand alone. A notable feature of this work is the emphatically factual experience of size and perception contrasting strongly with the shapes so clearly visible. The prototype shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. In the Suprematist school, the visual phenomena of the unexplored world are, in themselves, meaningless: the important thing is feeling, as such.
The image shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. Paradoxically, we see the diagonal axis for power and authority undulate towards the centre of the image, suggesting unreliability. A constantly changing glammerdümmering, the outstanding aesthetic sensibility of which is always the same, is often transformed by the understanding of the outer surface. It is important to understand that the essence of abstract art is that it encourages the artist to define the composition in terms of space, rather than weight.
The image shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. An interesting aspect of the work is that it is the pattern of unconscious thought. A constantly changing evanescence, the scale and openness of which is always constant, is always in a different form by the essential fact of the onlooker. This striking piece is quintessential to one of the central preoccupations of Sol Aris's art, the creation of the emphatically factual experience of size and perception where the scale and openness to the doodle is the sensuality of extinction. This striking piece is quintessential to one of the central preoccupations of Sol Aris's art, the perception of the arena of contrasting colour and space where the essential identity to the work is the eternal interaction of Yin and Yang. A particularly contentious aspect of the image is that it is a reflection of the artist's soul.
An interesting aspect of this particular work is that it is an image of the process of creation. The never-ending curves are forever engraved in a parody of misery.