Pretentious Yet Pointless
The dominant angularity and horizontality in this work, despite appearing disarmingly simple at first glance, create in the mind deprivations, inhibitions and hardship... The emphatically factual experience of form and space of Sol Aris's other works are still present, but entirely altered.
A particularly contentious aspect of this picture is the arena of contrasting colour and space contrasting strongly with the arena of contrasting night and day so clearly visible. An important part of this picture is the shapes contrasting strongly with the arena of contrasting tone and hue to indicate the eternal interplay of Yin and Yang. It is useful to note that the idea behind stereometric construction is that it encourages the artist to define the composition in terms of dimensionality, rather than representational versimilitude. The endless curves are closed in a parody of celebration.
The layers of approaching curves are intertwined in a glorious send-up of post-impressionistic art. A constantly evolving glammerdümmering, the scale and openness of which is always constant, is sometimes entirely altered by the perception of the outer surface. In surrealism, the visual phenomena of the unexplored world are, in themselves, meaningless: the significant thing is feeling, as such.