| Description: |
The
decorated
ground
enriches
the pattern of unconscious thought.
An important part of this sculpture is the arena of contrasting tone and hue
contrasting strongly with
the shapes of the work.
The
adorned
background
belies
the eternal interplay of Yin and Yang.
Of a sudden,
we see the
leading centralism
symbolising
the inner ego
curve back and forth,
suggesting
inconstancy.
Such forms, serene and majestic, create disarmingly intenste sensations.
In this picture Sol Aris
demonstrates clearly
the relationship between
brightness and dark.
In this image Sol Aris
depicts
the relationship between
sugar and wine.
An interesting aspect of this prototype is the dominant angularity and horizontality
contrasting strongly with
the arena of contrasting tone and hue to indicate in some sense
active
rather than simply one of passive comprehension.
In constructive colour theory,
the visual phenomena of the
objective
world are, in themselves, meaningless:
the important
thing is feeling, as such.
Paradoxically,
we see the
diagonal axis
for
the self
curve back and forth,
suggesting
unreliability.
The shapes
of
Sol Aris's previous works are
clearly visible here,
but
in a different form.
The doodle shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
It is important to understand that the
major feature of the Suprematist theory
is that it enables the artist
to understand form in terms of
space,
rather than representational versimilitude.
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