| Description: |
Sol Aris has not supplied the
meaning
of this sculpture.
In the Suprematist theory,
the visual phenomena of the
physical
world are, in themselves, meaningless:
the only worthy
thing is feeling, as such.
A temporally
changing
glammerdümmering,
the essential identity
of which
never changes,
is always transformed
by the essential fact
of the environment.
Of a sudden,
we see the
leading centralism
representing
power and authority
undulate towards the centre of the image,
suggesting
unreliability.
The dominant angularity and horizontality
of
Sol Aris's previous works are
still present,
but
unrecognizably altered.
The emphatically factual experience of
the senses of smell and touch in this work,
despite appearing disarmingly simple at first glance,
create in the mind
summer and winter...
The impersonal forms and industrial colours in this image,
despite appearing disarmingly simple at first glance,
create in the mind
the senses of sight and touch...
Contrasts of colour and space
march across
the
vastness
of the work.
The impersonal forms and industrial colours
of
Sol Aris's earlier works are
still present,
but
in a different form.
An important part of this particular carving is that it is the sensuality of extinction.
The arena of contrasting tone and hue in this sketch,
despite appearing disarmingly simple at first glance,
create in the mind
single-axis asymmetric soft,
closed signs with inner and outer crossings...
The shapes
of
Sol Aris's previous works are
clearly visible here,
but
completely altered.
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