Pretentious Yet Pointless | |
| Artist: | Aris, Sol |
| Medium: | Acrylics on virtual canvas |
| Title: | Randomly generated image 2056630165 |
| Date: | Fri Oct 30 02:40:20 UTC 2026 |
| Description: |
A particularly contentious aspect of this work is the arena of contrasting colour and space
contrasting strongly with
the shapes so clearly visible.
The world of brightness and dark
of
Sol Aris's other works are
still present,
but
entirely altered.
This image is
representative of
one of the central preoccupations of Sol Aris's art,
the perception of the
arena of contrasting spring and winter
where the relationship of the spectator to the piece
is
not completely concrete.
Sol Aris has not described the
individuality
of this picture.
In this painting Sol Aris
demonstrates clearly
the relationship between
dark and light.
The
figured
canvas
indicates
the eternal interplay of Yin and Yang.
This work is
representative of
one of the central preoccupations of Sol Aris's art,
the perception of the
arena of contrasting tone and hue
where the outstanding aesthetic sensibility to the sculpture
is
a natural sense
which belongs to the basic senses of
our spirituality.
The world of colour and space
of
Sol Aris's other works are
clearly visible here,
but
transformed.
In Shaker æsthetics,
the visual phenomena of the
physical
world are, in themselves, meaningless:
the only worthy
thing is feeling, as such.
The world of the senses of sight and smell in this work,
despite appearing disarmingly simple at first glance,
create in the mind
measure when calculating long periods of time...
Contrasts of the senses of smell and touch
emphasise
the
vastness
of this drawing.
In this work Sol Aris
shows
the relationship between
salt and pepper.
Contrasts of dark and light
dominate
the
vastness
of the sketch.
Sol Aris has not commented on the
individuality
of this image.
This image is
an expression of
one of the central preoccupations of Sol Aris's art,
the perception of the
strongly
distorted
downward
floating
components
where the essential identity to the piece
is
the sensuality of intoxification.
The viewer is drawn by the
relationship of the spectator
of the carving into
the world of images strong
in meaning and emotion.
The
receding
curves
are
forever engraved
in a glorious send-up of
the Suprematist works.
Such forms, rapidly moving and disconcerting, create strong gestalt sensations.
A constantly
changing
network,
the essential identity
of which
never changes,
is always in a different form
by the perception
of the viewer.
The
receding
curves
are
forever engraved
in a parody of
misery.
The piece shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
The image shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
A deep underlying meaning of the work is that it is the pattern of unconscious thought. ``This art, facing forwards and inwards, is of images of expectation and spiritual progress that are freighted with no historical context at all and which owelittle to the appearance of observed reality'' [Brian Keeble on Cecil Collins, Temeno 11,, London 1990] |
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