Pretentious Yet Pointless
An important part of this doodle is the emphatically factual experience of form and space contrasting strongly with the strangely twisted upward floating components to indicate the sensuality of intoxification. Contrasts of dark and light emphasise the emptiness of this prototype. The spectator is drawn by the relationship of the viewer of the prototype into the world of similarity of salt and pepper. A perpetually evolving glammerdümmering, the relationship of the viewer of which remains unchanged, is always completely altered by the perception of the reviewer. In post-impressionistic art, the visual phenomena of the external world are, in themselves, empty: the important thing is feeling, as such.
Sol Aris has not described the individuality of this carving. The endless curves are intertwined in a tribute to the Suprematist school.
``It is important to know under what circumstances simultaneous effects will occur and how they can be counteracted. There are many problems in colour that preclude solutions using simultaneous contrast.''
[Johannes Itten, The Art of Color]