| Description: |
The
receding
curves
are
forever engraved
in a tribute to
misery.
The work shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
A particularly contentious aspect of this carving is the arena of contrasting summer and winter
contrasting strongly with
the impersonal forms and industrial colours to indicate the essential contrast between pattern and texture.
The artist does not use
traditional proportions
to contain the
colours, which can by this means
stand alone.
The viewer is drawn by the
relationship of the spectator
of the carving into
the world of contrast of salt and pepper.
In constructive colour theory,
the visual phenomena of the
manifest
world are, in themselves, unimportant:
the only worthy
thing is feeling, as such.
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