Pretentious Yet Pointless
In the Suprematist vision, the visual phenomena of the unexplored world are, in themselves, empty: the important thing is feeling, as such.
Semiotically, we see the short vertical line symbolising power and authority undulate towards the centre of the piece, suggesting inconstancy.
Sol Aris has not described the title of this carving. Paradoxically, we see the diagonal axis for the inner ego curve back and forth, suggesting unreliability. An important part of this work is the impersonal forms and industrial colours contrasting strongly with the arena of contrasting the senses of smell and sound so clearly visible. This work is representative of one of the central preoccupations of Sol Aris's art, the understanding of the shapes where the relationship of the viewer to the piece is the eternal interplay of Yin and Yang.
The artist avoids traditional proportions to define the colours, which thus subsist in a world of their own doing.
``The dialogue created by the comination of textures, colours, and dimensions evokes nature in its pure, controlled, yet fanciful expression. Sensorial expreiences and organic abstractions represent man's drive for interpreting reality and our mental processes. In a seemingly chaotic world, the artist struggles to find inner serenity and to convey it in his work. Each piece becomes a unique instance of wholeness within the labyringht of life.'' [describing Alex Garcin, Untitled 2004]