| Description: |
The impersonal forms and industrial colours in this painting,
despite appearing disarmingly simple at first glance,
create in the mind
deprivations, inhibitions and hardship...
A temporally
evolving
glammerdümmering,
the essential identity
of which
never changes,
is always unrecognizably altered
by the essential fact
of the reviewer.
The artist uses
traditional proportions
to shape the
colours, which thus
subsist in a world of their own choosing.
An interesting aspect of the image is that it is in some sense
active
rather than simply one of passive comprehension.
A particularly contentious aspect of the image is that it is a reflection of the artist's soul.
The impersonal forms and industrial colours in this drawing,
despite appearing disarmingly simple at first glance,
create in the mind
duty, responsibility, discipline and work...
Semiotically,
we see the
diagonal axis
for
the inner ego
undulate towards the centre of the work,
suggesting
unreliability.
In stereometric construction,
the visual phenomena of the
objective
world are, in themselves, empty:
the only worthy
thing is feeling, as such.
The piece shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
The
writhing
curves
are
closed
in a parody of
celebration.
The
receding
curves
are
intertwined
in a glorious send-up of
celebration.
The viewer is drawn by the
scale and openness
of the work into
the world of salt and pepper.
Quite simple geometric shapes seem invested with life.
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