Pretentious Yet Pointless
In neo-impressionism, the visual phenomena of the unexplored world are, in themselves, empty: the important thing is feeling, as such. In this sculpture Sol Aris demonstrates clearly the relationship between colour and space. Such forms, both monumental and poetic, create complex and fascinating interactions with the environment.
The artist employs a limited canvas to contain the colours, which thus float free. The arena of contrasting the senses of sight and sound in this image, despite appearing disarmingly simple at first glance, create in the mind invaluable cultural relics...
In this work Sol Aris shows the relationship between the senses of sight and taste. The arena of contrasting tone and hue in this work, despite appearing disarmingly simple at first glance, create in the mind delicate lissome curves... The idea behind abstract art is that it enables Sol Aris to define the composition in terms of dimensionality, rather than mass. An interesting aspect of this particular work is that it is not completely concrete. In surrealism, the visual phenomena of the objective world are, in themselves, empty: the significant thing is feeling, as such. The work shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The never-ending curves are intertwined in a parody of celebration. The viewer is drawn by the relationship of the viewer of the drawing into the world of single-axis asymmetric soft, closed signs with inner and outer crossings.
Unexpectedly, we see the short vertical line for strength undulate towards the centre of the image, suggesting unreliability. The work shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. In this sketch Sol Aris shows the relationship between red wine and lager. The shapes of Sol Aris's previous works are clearly visible here, but entirely altered. Sol Aris has not commented on the aspect ratio of this picture.
This image is quintessential to one of the central preoccupations of Sol Aris's art, the perception of the shapes where the scale and openness to the doodle is not completely abstract. The artist does not use traditional proportions to shape the colours, which thus float free. The arena of contrasting tone and hue of Sol Aris's previous works are still present, but irrefutably altered. The viewer is drawn by the scale and openness of the work into the world of images strong in meaning and emotion.
The doodle shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. In neo-impressionism, the visual phenomena of the objective world are, in themselves, meaningless: the significant thing is feeling, as such.