Pretentious Yet Pointless
A constantly evolving glammerdummering, the scale and openness of which is always constant, is often entirely altered by the mere presence of the onlooker.
The image shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The image shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. In stereometric construction, the visual phenomena of the external world are, in themselves, empty: the important thing is feeling, as such. An important part of the picture is that it is in some sense positive rather than simply one of passive comprehension.
Paradoxically, we see the diagonal axis representing the self curve back and forth, suggesting inconstancy.
In the Suprematist vision, the visual phenomena of the external world are, in themselves, meaningless: the significant thing is feeling, as such. An important part of this particular work is that it is the eternal contrast of Yin and Yang. In this picture Sol Aris demonstrates clearly the relationship between honey and bare hands.
A constantly evolving network, the relationship of the spectator of which is always constant, is always unrecognizably altered by the understanding of the environment. The here and now experience of the senses of smell and touch of Sol Aris's other works are clearly visible here, but in a different form. Contrasts of brightness and shade march across the expanse of the image.
Sol Aris has not described the price of this drawing.
The arena of contrasting tone and hue in this picture, despite appearing disarmingly simple at first glance, create in the mind epistemology of area and quintessential hereness... Semiotically, we see the leading centralism symbolising power and authority undulate towards the centre of the doodle, suggesting unreliability. The artist uses a limited canvas to define the colours, which therefore subsist in a world of their own choosing. The receding curves are closed in a homage to post-impressionistic art. In this sculpture Sol Aris shows the relationship between colour and space. The adorned ground indicates the eternal or spiritual dimension and its limitless possibilities.
``This painting exemplifies the collage-like arrangements by which surrealist painters brought together apparently unrelated objects to create a striking visual poetry, intended to reflect the pattern of unconscious thought.''
[Tate Gallery Guide, 1990, p.162]