Pretentious Yet Pointless
It is important to understand that the idea behind stereometric construction is that it encourages the viewer to define the composition in terms of dimensionality, rather than odour. The work shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power.
In this sketch Sol Aris demonstrates clearly the relationship between the senses of sight and taste. Such forms, quietly formal, create disarmingly intenste sensations. Unexpectedly, we see the diagonal axis symbolising power and authority undulate towards the centre of the image, suggesting unreliability. The layers of approaching curves are intertwined in a glorious send-up of celebration.
Of a sudden, we see the leading centralism representing strength undulate towards the centre of the sculpture, suggesting inconstancy. A perpetually changing glammerdümmering, the scale and openness of which is always constant, is always transformed by the perception of the reviewer.