| Description: |
The work shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
The
never-ending
curves
are
enjoined
in a homage to
misery.
The artist avoids
a limited canvas
to shape the
colours, which thus
float free.
The impersonal forms and industrial colours in this image,
despite appearing disarmingly simple at first glance,
create in the mind
single-axis asymmetric soft,
closed signs with inner and outer crossings...
The artist uses
traditional proportions
to shape the
colours, which therefore
float free.
The
never-ending
curves
are
intertwined
in a tribute to
constructive colour theory.
Such forms, quietly formal, create a strong interplay of forces.
This striking piece is
quintessential to
one of the central preoccupations of Sol Aris's art,
the creation of the
dominant angularity and horizontality
where the outstanding aesthetic sensibility to the piece
is
the eternal contrast of Yin and Yang.
The
writhing
curves
are
intertwined
in a glorious send-up of
celebration.
``If the socket address structure with the interface name is present,
an ifi_info structure is allocated
and the interface flags are stored.
The expected family of this socket address structure is AF_LINK,
indicating a datalink socket address structure.
If the sdl_nlen member is nonzero, then the interface name is
copied into the ifi_info structure.
Otherwise a string containing the interface index is stored
as the name.
If the sdl_nlen member is nonzero, then the hardware address
(e.g. the Ethernet address) is copied into the
ifi_info structure
and its length is also returned as ifi_hlen.''
[Richard Stevens, Unix Network Programming]
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