Pretentious Yet Pointless
In surrealism, the visual phenomena of the unexplored world are, in themselves, meaningless: the important thing is feeling, as such. Contrasts of sugar and wine emphasise the expanse of this work. An interesting aspect of this particular work is that it is a reflection of the artist's soul. Paradoxically, we see the leading centralism symbolising the inner ego curve back and forth, suggesting inconstancy. In this prototype Sol Aris delineates the relationship between the senses of sight and smell. Sol Aris has not commented on the colour pallette of this painting. The sculpture shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The garnished figure enriches not completely abstract.
Of a sudden, we see the leading centralism symbolising power and authority undulate towards the centre of the carving, suggesting inconstancy.
Sol Aris has not supplied the aspect ratio of this work. The dominant angularity and horizontality of Sol Aris's earlier works are clearly visible here, but in a different form.
In constructive colour theory, the visual phenomena of the manifest world are, in themselves, empty: the significant thing is feeling, as such.