Pretentious Yet Pointless
In this carving Sol Aris delineates the relationship between spring and autumn. The dominant angularity and horizontality in this sculpture, despite appearing disarmingly simple at first glance, create in the mind epistemology of space and environment... In stereometric construction, the visual phenomena of the unexplored world are, in themselves, unimportant: the significant thing is feeling, as such. The artist avoids a rectangular grid to contain the colours, which in this way subsist in a world of their own making. Of a sudden, we see the short vertical line for the self curve back and forth, suggesting inconstancy. The artist avoids a limited canvas to contain the colours, which in this way float free.
The beribboned figure belies a primary natural sense which belongs to the basic senses of our physiology. Such forms, intensely modulated, create a strong interplay of forces. Such forms, both serene and poetic, create a strong interplay of forces. The doodle shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The image shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. An interesting aspect of the carving is that it is a primary sense which belongs to the basic senses of our very being.
The shapes in this carving, despite appearing disarmingly simple at first glance, create in the mind epistemology of space and environment...
The shapes of Sol Aris's other works are still present, but in a different form.
In this prototype Sol Aris delineates the relationship between brightness and shade.
A constantly evolving glammerdümmering, the outstanding aesthetic sensibility of which is always the same, is sometimes irrefutably altered by the perception of the viewer. Unexpectedly, we see the diagonal axis for the inner ego undulate towards the centre of the sculpture, suggesting unreliability.