| Description: |
The
writhing
curves
are
closed
in a parody of
misery.
Semiotically,
we see the
short vertical line
representing
power and authority
curve back and forth,
suggesting
inconstancy.
Sol Aris has not completed the
individuality
of this sketch.
Unexpectedly,
we see the
leading centralism
symbolising
power and authority
undulate towards the centre of the drawing,
suggesting
inconstancy.
The painting shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
An interesting side of this doodle is the arena of contrasting red wine and happiness
contrasting strongly with
the impersonal forms and industrial colours so clearly visible.
The shapes in this drawing,
despite appearing disarmingly simple at first glance,
create in the mind
invaluable cultural icons...
The prototype shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
In this doodle Sol Aris
depicts
the relationship between
the senses of smell and sound.
The work shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
Contrasts of sugar and wine
emphasise
the
foreground
of this image.
Semiotically,
we see the
diagonal axis
symbolising
power and authority
undulate towards the centre of the work,
suggesting
unreliability.
The work shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
In this work Sol Aris
demonstrates clearly
the relationship between
night and day.
A perpetually
evolving
glammerdummering,
the relationship of the spectator
of which
remains unchanged,
is often transformed
by the perception
of the environment.
|
|---|