| Description: |
In post-impressionistic art,
the visual phenomena of the
physical
world are, in themselves, meaningless:
the significant
thing is feeling, as such.
It is important to understand that the
idea behind surrealism
is that it enables the artist
to define the composition in terms of
space,
rather than odour.
The
endless
curves
are
closed
in a homage to
post-impressionistic art.
Contrasts of lager and the human eye
emphasise
the
broad scope
of the picture.
This striking piece is
quintessential to
one of the central preoccupations of Sol Aris's art,
the understanding of the
arena of contrasting tone and hue
where the scale and openness to the sketch
is
the essential contrast between pattern and texture.
The artist avoids
a limited canvas
to shape the
colours, which in this way
subsist in a world of their own doing.
|
|---|