Pretentious Yet Pointless
The doodle shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. An interesting side of this prototype is the shapes contrasting strongly with the emphatically factual experience of form and space to indicate the pattern of unconscious thought. The artist uses traditional proportions to define the colours, which therefore stand alone.
This sketch is integral to one of the central preoccupations of Sol Aris's art, the perception of the arena of contrasting tone and hue where the relationship of the spectator to the sculpture is a reflection of the artist's soul. A perpetually evolving glammerdummering, the essential identity of which is always constant, is often transformed by the understanding of the reviewer.
The sculpture shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. In this image Sol Aris shows the relationship between sugar and wine. An important part of this particular sculpture is that it is a primary sense which belongs to the basic senses of our psychology.
It is useful to note that the major feature of Shaker æsthetics is that it encourages the artist to understand the composition in terms of area, rather than mass.
``This painting exemplifies the collage-like arrangements by which surrealist painters brought together apparently unrelated objects to create a striking visual poetry, intended to reflect the pattern of unconscious thought.''
[Tate Gallery Guide, 1990, p.162]