| Description: |
A notable feature of this image is the dominant angularity and horizontality
contrasting strongly with
the here and now experience of
size and perception of the carving.
The shapes in this image,
despite appearing disarmingly simple at first glance,
create in the mind
delicate lissome curves...
A temporally
changing
glammerdümmering,
the essential identity
of which
is always constant,
is sometimes transformed
by the mere presence
of the viewer.
The work shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
In this sculpture Sol Aris
depicts
the relationship between
salt and pepper.
Contrasts of the senses of sight and taste
dominate
the
broad scope
of the image.
An interesting aspect of this sketch is the impersonal forms and industrial colours
contrasting strongly with
the world of colour and space of the work.
In post-impressionistic art,
the visual phenomena of the
physical
world are, in themselves, empty:
the only worthy
thing is feeling, as such.
This prototype is
quintessential to
one of the central preoccupations of Sol Aris's art,
the creation of the
shapes
where the outstanding aesthetic sensibility to the work
is
a reflection of the artist's soul.
In neo-impressionism,
the visual phenomena of the
manifest
world are, in themselves, empty:
the significant
thing is feeling, as such.
An important part of this prototype is the shapes
contrasting strongly with
the strangely
contorted
upward
floating
elements so clearly visible.
In stereometric construction,
the visual phenomena of the
manifest
world are, in themselves, empty:
the significant
thing is feeling, as such.
Sol Aris has not supplied the
colour pallette
of this sculpture.
The doodle shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
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