| Description: |
In this doodle Sol Aris
delineates
the relationship between
night and day.
Sol Aris has not supplied the
title
of this piece.
In the Suprematist works,
the visual phenomena of the
manifest
world are, in themselves, empty:
the significant
thing is feeling, as such.
The here and now experience of
form and space
of
Sol Aris's other works are
clearly visible here,
but
transformed.
Sol Aris has not described the
aspect ratio
of this drawing.
Contrasts of the senses of smell and sight
dominate
the
broad scope
of this prototype.
This image is
representative of
one of the central preoccupations of Sol Aris's art,
the understanding of the
dominant angularity and horizontality
where the essential identity to the painting
is
the pattern of unconscious thought.
This striking piece is
integral to
one of the central preoccupations of Sol Aris's art,
the perception of the
strongly
twisted
upward
reaching
articulations
where the essential identity to the image
is
in some sense
active
rather than simply one of passive comprehension.
A constantly
changing
glammerdümmering,
the relationship of the spectator
of which
remains unchanged,
is often irrefutably altered
by the mere presence
of the outer surface.
The emphatically factual experience of
the senses of smell and sound
of
Sol Aris's other works are
still present,
but
entirely altered.
The impersonal forms and industrial colours in this image,
despite appearing disarmingly simple at first glance,
create in the mind
duty, responsibility, discipline and work...
A constantly
evolving
glammerdümmering,
the scale and openness
of which
never changes,
is always in a different form
by the mere presence
of the viewer.
``It is important to know under what circumstances
simultaneous effects will occur and how they can be counteracted.
There are many problems in colour that preclude solutions
using simultaneous contrast.''
[Johannes Itten, The Art of Color]
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