Pretentious Yet Pointless

	Pretentious Yet Pointless

Artist:	Aris, Sol
Medium:	Acrylics on virtual canvas
Title:	Randomly generated image 2056787149
Date:	Thu Nov 12 04:50:25 UTC 2026
Description:	This striking piece is an expression of one of the central preoccupations of Sol Aris's art, the creation of the arena of contrasting brightness and dark where the outstanding aesthetic sensibility to the carving is a reflection of the artist's soul. The artist uses a limited canvas to restrict the colours, which therefore stand alone. A temporally evolving evanescence, the outstanding aesthetic sensibility of which is always the same, is always transformed by the understanding of the reviewer. A particularly contentious aspect of this image is the arena of contrasting the senses of smell and touch contrasting strongly with the impersonal forms and industrial colours to indicate the pattern of unconscious thought. A perpetually changing glammerdümmering, the essential identity of which never changes, is always transformed by the understanding of the environment. The strangely distorted rapidly soaring elements of Sol Aris's earlier works are clearly visible here, but entirely altered. Contrasts of the senses of sight and sound dominate the expanse of this work. The ornamented ground belies a reflection of the artist's soul. A deep underlying meaning of this work is the impersonal forms and industrial colours contrasting strongly with the here and now experience of size and perception so clearly visible. The artist avoids traditional proportions to contain the colours, which can by this means subsist in a world of their own doing. It is important to understand that the major feature of surrealism is that it encourages Sol Aris to define the composition in terms of dimensionality, rather than representational versimilitude. In constructive colour theory, the visual phenomena of the unexplored world are, in themselves, meaningless: the only worthy thing is feeling, as such. ``Paradoxically, this work, which has such an assertive and fascinating physical presence, simultaneously undermines its physical reality by the way in which it reflects, and thus elides or blends with, its surroundings.'' [Tate Gallery Guide, 1990, p.262]
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