Pretentious Yet Pointless
The work shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. An interesting side of this particular painting is that it is not completely concrete. The arena of contrasting light and dark in this work, despite appearing disarmingly simple at first glance, create in the mind single-axis asymmetric soft, closed signs with inner and outer crossings... The emphatically factual experience of size and perception of Sol Aris's previous works are still present, but in a different form.
The world of sugar and wine in this image, despite appearing disarmingly simple at first glance, create in the mind slender lissome curvilinear forms... Such forms, quietly formal, create disarmingly intenste feelings. The artist does not use traditional proportions to shape the colours, which therefore stand alone. The spectator is drawn by the outstanding aesthetic sensibility of the work into the world of spring and winter. The writhing curves are intertwined in a homage to post-impressionistic art.
The arena of contrasting tone and hue in this work, despite appearing disarmingly simple at first glance, create in the mind single-axis asymmetric soft, closed signs with inner and outer crossings...