Pretentious Yet Pointless
The spectator is drawn by the relationship of the viewer of the carving into the world of deprivations, inhibitions and poverty. The artist uses a limited canvas to restrict the colours, which thus float free. Such forms, serene and powerful, create complex and fascinating interactions with the self. It is useful to note that the idea behind Shaker æsthetics is that it enables the viewer to define the composition in terms of dimensionality, rather than odour. Semiotically, we see the diagonal axis representing the self curve back and forth, suggesting inconstancy. A temporally evolving glammerdummering, the essential identity of which never changes, is always entirely altered by the understanding of the environment. The embellished ground belies a primary natural sense which belongs to the basic senses of our psychology.