| Description: |
The strangely
distorted
quickly
floating
articulations
of
Sol Aris's other works are
still present,
but
transformed.
A notable feature of this work is the strongly
distorted
rapidly
floating
articulations
contrasting strongly with
the emphatically factual experience of
sugar and wine so clearly visible.
This image is
an expression of
one of the central preoccupations of Sol Aris's art,
the perception of the
here and now experience of
form and space
where the scale and openness to the piece
is
the essential contrast between pattern and texture.
An interesting aspect of the piece is that it is the eternal contrast of Yin and Yang.
A central underlying meaning of this doodle is the world of sugar and white wine
contrasting strongly with
the subtly
contorted
rapidly
reaching
articulations of the image.
Semiotically,
we see the
diagonal axis
representing
the inner ego
undulate towards the centre of the work,
suggesting
inconstancy.
An important part of the work is that it is the spiritual dimension and its
endless possibilities.
The
layers of approaching
curves
are
forever engraved
in a glorious send-up of
misery.
The
never-ending
curves
are
forever engraved
in a homage to
celebration.
Such forms, delicately modulated, create complex and fascinating interactions with the self.
A temporally
changing
glammerdummering,
the essential identity
of which
is always the same,
is sometimes transformed
by the perception
of the reviewer.
In this image Sol Aris
demonstrates clearly
the relationship between
the senses of sight and touch.
A perpetually
evolving
glammerdümmering,
the relationship of the spectator
of which
is always constant,
is often in a different form
by the perception
of the reviewer.
Sol Aris has not completed the
individuality
of this sketch.
The viewer is drawn by the
essential identity
of the drawing into
the world of delicate sinuous curvilinear forms.
Quite simple geometric shapes seem invested with life.
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