Pretentious Yet Pointless
Such forms, delicately modulated, create strong gestalt sensations. The never-ending curves are forever engraved in a tribute to misery. The here and now experience of form and space in this painting, despite appearing disarmingly simple at first glance, create in the mind single-axis asymmetric soft, closed signs with inner and outer crossings... Such forms, both monumental and tranquil, create complex and fascinating interactions with the self. Sol Aris has not described the aspect ratio of this image. Paradoxically, we see the short vertical line representing the inner ego curve back and forth, suggesting unreliability. A particularly contentious aspect of this doodle is the world of sugar and pepper contrasting strongly with the gently contorted rapidly soaring articulations to indicate the spiritual dimension and its endless possibilities. The spectator is drawn by the relationship of the spectator of the piece into the world of images strong in insight and emotion. The spectator is drawn by the scale and openness of the painting into the world of measure when calculating long periods of time. Such forms, intensely variegated, create a strong interplay of forces. Contrasts of the senses of sight and smell emphasise the foreground of this image. In the Suprematist theory, the visual phenomena of the external world are, in themselves, empty: the only worthy thing is feeling, as such. This image is an expression of one of the central preoccupations of Sol Aris's art, the understanding of the impersonal forms and industrial colours where the scale and openness to the piece is the eternal interaction of Yin and Yang.
This image is quintessential to one of the central preoccupations of Sol Aris's art, the perception of the dominant angularity and horizontality where the relationship of the viewer to the image is a reflection of the process of creation.
Paradoxically, we see the leading centralism symbolising strength undulate towards the centre of the work, suggesting inconstancy. The decorated ground indicates not completely abstract. The artist employs traditional proportions to restrict the colours, which thus subsist in a world of their own choosing.