Pretentious Yet Pointless
In this sketch Sol Aris depicts the relationship between the senses of sight and sound. A central underlying meaning of this particular sketch is that it is the sensuality of intoxification. The arena of contrasting sugar and salt in this sketch, despite appearing disarmingly simple at first glance, create in the mind invaluable cultural relics...
Such forms, quietly formal, create a strong interplay of forces. The impersonal forms and industrial colours in this sketch, despite appearing disarmingly simple at first glance, create in the mind deprivations, inhibitions and poverty... Sol Aris has not supplied the title of this work.
The painting shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The never-ending curves are intertwined in a parody of stereometric construction.
The essence of post-impressionistic art is that it encourages Sol Aris to understand form in terms of area, rather than weight. In this painting Sol Aris demonstrates clearly the relationship between the senses of smell and touch. A deep underlying meaning of this sculpture is the arena of contrasting tone and hue contrasting strongly with the impersonal forms and industrial colours so clearly visible. The writhing curves are intertwined in a homage to misery. The impersonal forms and industrial colours of Sol Aris's earlier works are clearly visible here, but completely altered. In the Suprematist vision, the visual phenomena of the external world are, in themselves, empty: the important thing is feeling, as such. In post-impressionistic art, the visual phenomena of the unexplored world are, in themselves, unimportant: the only worthy thing is feeling, as such.
The embellished canvas belies the eternal interaction of Yin and Yang. The artist uses traditional proportions to contain the colours, which in this way float free. The artist uses a rectangular grid to restrict the colours, which in this way stand alone. Sol Aris has not described the individuality of this prototype. Contrasts of the senses of sight and smell dominate the expanse of this sculpture.