Pretentious Yet Pointless
An important part of this particular doodle is that it is the eternal contrast of Yin and Yang. A perpetually changing evanescence, the outstanding aesthetic sensibility of which is always constant, is often irrefutably altered by the understanding of the environment. The viewer is drawn by the relationship of the viewer of the work into the world of invaluable cultural relics. The figured ground belies the eternal interplay of Yin and Yang. This image is quintessential to one of the central preoccupations of Sol Aris's art, the creation of the subtly contorted rapidly flying elements where the essential identity to the piece is a primary sense which belongs to the basic senses of our spirituality. A particularly contentious aspect of this carving is the impersonal forms and industrial colours contrasting strongly with the gently twisted upward soaring elements to indicate in some sense positive rather than simply one of passive comprehension.
Sol Aris has not commented on the aspect ratio of this image.
The prototype shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power.
``This art, facing forwards and inwards, is of images of expectation and spiritual progress that are freighted with no historical context at all and which owe little to the appearance of observed reality.'' [Brian Keeble, on Cecil Collins, Temeno 11, London, 1990, p.114]