| Description: |
An interesting side of the image is that it is not completely abstract.
In neo-impressionism,
the visual phenomena of the
manifest
world are, in themselves, empty:
the important
thing is feeling, as such.
The dominant angularity and horizontality
of
Sol Aris's previous works are
still present,
but
in a different form.
The viewer is drawn by the
extraordinarily refined aesthetic sensibility
of the work into
the world of epistemology of area and
quintessential hereness.
The
idea behind abstract art
is that it enables Sol Aris
to define the composition in terms of
area,
rather than mass.
A deep underlying meaning of this image is the world of honey and bare feet
contrasting strongly with
the impersonal forms and industrial colours so clearly visible.
An important part of this doodle is the impersonal forms and industrial colours
contrasting strongly with
the here and now experience of
form and space of the image.
Contrasts of ecstasy and the freedom of the flying mountain
emphasise
the
expanse
of this work.
The artist avoids
a limited canvas
to contain the
colours, which thus
subsist in a world of their own doing.
A notable feature of this image is the impersonal forms and industrial colours
contrasting strongly with
the arena of contrasting tone and hue so clearly visible.
Sol Aris has not commented on the
aspect ratio
of this drawing.
Contrasts of colour and space
dominate
the
vastness
of the piece.
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